1. Alesis Sr 16 Owner's Manual
2. Alesis Sr 16 Sounds
3. Alesis Sr 16 Manuals

View and Download Alesis SR-16 quick start owner's manual online. 23 Bit Stereo Drum Machine. Dynamic Articulation. Stereo Samples. Preset Patterns. SR-16 Drums pdf manual download. ALESIS manuals. Download ALESIS SR-16 User Manual – Download. ALESIS SR-16 User Manual. ALESIS / Projectors. Recognized languages: English: Pages: 71: Size: 490 KB: Type the characters you see in the picture below. Download Manual. Alesis SR-16 samples and manuals. Preview mp3's and download.wav file samples from the SR-16. Download Alesis SR-16.pdf owner's manuals. The SR-16 will remain in record mode, and continue to loop, untilyou press STOP or switch over to Perform mode. You will hear any previously-played partsas you record new parts. 1.2F Physical LayoutThe SR-16 includes seven main types of controls, along with a group of connectors (locatedon the back panel). The SR-16 should be in Pattern mode and stopped. The display says OFFSET, which will be 00/384 (no offset). Press the pad to be offset (as confirmed by the display). If you don't select a pad, offset affects the entire Pattern. Enter the two-digit offset value with the INC/DEC or number buttons. Positive numbers shift events ahead of the beat (lead), negative numbers shift events behind the beat (lag).

number will be in parenthesis—forexample, step(4)—toprevent confusion with Song steps or step edit mode.

1.3 IMPORTANT: HOW TO COMMUNICATE WITH THESR-16

1.3A Entering Numbers

The SR-16identifies Patterns and Songs, as well as many other parameters, with numbers. You need to type in (enter) these numbers in aspecific way (as described below).

1.3B The Cursor

When the SR-16wants you to enter a number in the 'Dialog' box, the display will show thepreviously-enterednumber (or the default number), and the first digit will have a small underline called thecursor. If the cursor is not present, the number is there for reference only. You are expected to enter something only if the cursor is present.

1 . 3 C Leading Zeroes

If a value to be edited is a two-digitnumber, you must enter atwo-digitnumber. If the number is athree-digitnumber, you must enter athree-digitnumber. If necessary, enter a leading 0(i.e., a zero at the beginning of the number) to fill out the required number of digits.Example: The beat length is athree-digitnumber. To enter a beat length of 16, enter 016.

1 . 3 D Automatic Revert

This feature may confuse you at first, but save you from potential problems as you become more familiar with the machine. If all the required digits of a number aren't entered within two seconds, the display will revert back to the previous number, with the cursor under the first digit of the previous number. This is handy because if you start to enter a new number, but then change your mind halfway through, you don't have to key in (or remember) the original number again—justwait two seconds, and the display will revert to the original setting.

1.3E The INC/DEC Buttons

The two small buttons with the up arrow and down arrow symbols (next to the number keys) are called the INC/DEC buttons respectively.

Pressing the INC button once increases the value of the entire number indicated by the cursor (not just a single digit) by one. Pressing the DEC button once decreases the value of theentire number indicated by the cursor (not just a single digit) by one.Example: If the display shows 00 and you want to enter 01, tap the INC button once.

These buttons, and the TEMPO/PAGE buttons, also have a 'scroll' feature. If you press and hold a button, after a short pause the display will either increment or decrement at a rapid rate.

1.3F Buttons that Toggle

The Mode buttons, FILL button, and several function buttons (DRUM SET, RECORD SETUP, MIDI SETUP, and BACKUP) 'toggle' between two states. Each button press sets the switch to its alternate state. Example: Press the PATTERN/SONG button once to change from Pattern to Song; press again to change from Song to Pattern.Example: Press RECORD SETUP to call up the Record Setup menu; press RECORD SETUP again to get out of the Record Setup menu.

1.4 10 STEPS TO INSTANT GRATIFICATION (SETUP AND CHECKOUT)

1. Connect the Main outputs (either left or right for a mono monitoring system, or both for stereo) to ahigh-qualitymusical instrument amplifier or PA. The amp andSR-16volume controls should be all the way down(counter-clockwise).

2. Leave the MIDI jacks (rear panel) disconnected for now.

3. Plug theSR-16'sAC adapter into the wall. The smaller plug inserts in the 9V AC Power jack on the back.

4. Turn on the rear panel On/Off switch, then turn on the amplifier.

5. The LCD will show asign-onmessage. The upper right of the display should sayPATTERN and notSONG ; if it showsSONG , press the PATTERN/SONG button and the display will showPATTERN.

PATTER

A

USER

PRESS PLA

TEMPO

PERFORM

6. Start tapping the pads. Adjust the volume control for a comfortable listening level, and check out the sounds.

7. To hear thebuilt-indemo, hold down the PATTERN/SONG button and press PLAY. To stop the demo, press STOP. If you want to play along with the demo, feel free to bash away on the pads.

8. Press PLAY, and you'll hear a Preset Pattern. (In case theSR-16has already been played with, make sure that the display showsPERFORM and doesnot showU S E R before continuing. To choose Perform mode, press the PERFORM/COMPOSE button until the Perform/Compose section of the display showsPERFORM). To choose Preset rather than User Patterns, press the PRESET/USER button until the display does not showU S E R . If

U S E R is not showing, then Preset Patterns are selected.

PATTER

BEAT 001 A

USER

PRESS PLA

PLAYING

TEMPO

PERFORM

9. Try the following:

•Enter a two-digitnumber between00-49using the number keys, then press PLAY.

•Press the INC (up arrow) button to select the next higher-numberedPreset Pattern. It will play at the end of the current Pattern.

•Press the DEC (down arrow) button to select the next lower-numberedPreset Pattern.

•Press the B button to select the B variation of the selected Pattern.

•Press the A button to select the A variation of the selected Pattern.

•Press FILL briefly while a Main (A or B) Pattern is playing. Note how the Main Pattern switches from either A to B or B to A after the Fill has played.

•Press FILL and hold it down until after the Fill has played. If the FILL button is held down past the next downbeat, the Fill's associated Main Pattern (A or B) continues to play rather than switch from A to B or B to A.

•Press the TEMPO/PAGE buttons to change the tempo.

CHAPTER 2: RECORD SETUP

Several parameters are often adjusted prior to recording a Pattern, such as metronome, Pattern length, etc. General instructions are:

1. Press the RECORD SETUP button.

2. Use the PAGE (up and down) buttons to select different 'pages' of functions; the display's lower right window shows the page number. These pages are described below.

3. Adjust values on pages, if necessary, as described for each page.

4. After making all needed changes, press RECORD SETUP again to exit, or choose another page.

One of the pages, Step Mode, contains several sub-pages.

2.1 PAGE 1: SELECT THE QUANTIZATION VALUE (QUANTIZE SELECT)

The display shows QUANTIZE SELECT and a note icon in the lower left Quantize window.

The note icon displays the quantization value in standard rhythmic notation. Enter the desired quantization value with the INC/DEC or number buttons (1 = quarter note, 2 = quarter note triplet, 3 = 8th note, 4 = 8th note triplet, 5 = 16th note, 6 = 16th note triplet, 7 = 32nd note, 8 = 32nd note triplet, 9 and 0 = Off, equivalent to 1/384th note resolution).

Quantization shifts your playing to the specified beat while you play, so choose the desired value before tapping out your rhythms. Remember that you can also change quantization while recording if, for example, you want to record snare with eighth note quantization but high-hatswith 16th note quantization.

Note: The quantize value also sets the step length in Step Edit mode (section 2.9).

Background As you record a Pattern, quantization shifts all drum events to the nearest selected rhythmic value to eliminate small timing errors.Example: With a quantize value of 1/16, all drum events you play will be shifted to the nearest 16th note.

Quantization is most effective when used sparingly. If you're recording a drum part, quantize the kick and snare, but try recording the hi-hatin real time (or quantize thehi-hat,and record the snare in real time). Another trick is to combine both quantized andnon-quantizedparts.Example: hand claps often sound too mechanical whenquantized—whenhumans clap hands, you end up with a bunch of different sounds happening within a few milliseconds of each other. A good way to simulate this effect (yet still have arock-solidrhythm) is to record a quantized hand claps part, then turn off quantization and try to double the part. Sometimes what you overdub will be right on the beat, but sometimes it will be off by just enough to add that human touch.

2.2 PAGE 2: SELECT THE SWING VALUE (SWING SELECT)

The display shows SWING SELECT; the Swing window shows the swing value.

SWING

SELECT

Enter the desired swing percentage with the INC/DEC or number buttons (1 = 54%, 2 = 58%,

3 = 62%, 4-0= Swing Off).

Swing shifts notes as specified while you record, so choose the desired value before tapping out your rhythms.

Background Swing affects the timing ofpairs ofequal-valuenotes. Each note normally defaults to taking up 50% of the total duration of both notes; adding swinglengthens the first note of the pair, and to keep the total duration of both notes the same,shortens the second note of the pair. This imparts the kind of feel found in shuffles and some jazz tunes.Example: With Swing set to 62%, the first note of the pair takes up 62% of the total duration of the pair of notes, while the second note takes up 38% of the total duration.

2.3 PAGE 3: ENABLE CLICK (METRONOME) AND SET RHYTHM (CLICK SELECT)

The display shows CLICK SELECT; the Click window shows the click's rhythmic value.

CLICK

SELECT

Enter the click value with the INC/DEC or number buttons (1 = quarter note, 2 = quarter note triplet, 3 = 8th note, 4 = 8th note triplet, 5 = 16th note, 6 = 16th note triplet, 7-0= Click Off).

The click is audible only in Compose mode.

2.4 PAGE 4: SET CLICK (METRONOME) VOLUME (CLICK VOL)

The display shows CLICK VOL and atwo-digitnumber representing click volume (0 0 = inaudible,9 9 = maximum volume). Enter the desired click level with the INC/DEC or number buttons.

CLICK

VOL 70

2.5 PAGE 5: ADJUST VELOCITY RESPONSE (VELOCITY)

There are 11 ways in which a pad's output level can respond to the force with which you tap it: soft, medium, loud, and eight fixed responses.

VELOCITY

LOUD

The display says VELOCITY. To select the desired dynamic response, use the INC/DEC or number buttons (1 = Fixed 1, 2 = Fixed 2, 3 = Fixed 3, 4 = Fixed 4, 5 = Fixed 5, 6 = Fixed 6, 7 = Fixed 7, 8 = Fixed 8, 9 = Soft, and 0 = Loud). Medium can be selected only with the INC/DEC buttons.

Background This feature accommodates players with a heavier or lighter touch. Referring to the diagram, soft response weights the response toward softer sounds; with medium response, the level is directly proportional to how hard you tap the pad; loud response weights the response toward louder sounds.

Fixed volume plays back the associated drum sound at one of eight possible volume levels. With Fixed Volume 1, all drums assume the level of the softest possible tap, regardless of how hard you tap the pads. With Fixed Volume 8, all drums assume the level of the loudest possible tap, regardless of how hard you tap the pads. Fixed Volumes 2-7provide the levels between the softest and loudest extremes, with lower numbers giving softer levels.

Loud Respons

13

2.6 PAGE 6: ADD/REMOVE BEATS FROM PATTERN END (LENGTH)

This option either adds beats to, or subtracts beats from, the end of the Pattern. The Pattern length can be set prior to, or after, recording. Shortening a Pattern's end point erases any drum events that fall outside the remaining part of the Pattern; lengthening a Pattern's end point adds silence at the end of a Pattern. It is also important to note that changing a Pattern's length also changes the length of the associated Fill Pattern.

The display says ### BEAT andLENGTH. This indicates a Pattern's length in beats (quarter notes). Enter the desired length with the INC/DEC or number buttons (this must be a three digit number; enter leading zeroes if necessary). To prevent accidental length alteration, you must press PLAY before theSR-16will store the new Pattern length. The display showsCHANGED LENGTH for as long as PLAY is pressed.

Background Odd time signatures are not a problem since Patterns can be any number of beats (up to 128).Example: For a measure of 13/4 followed by a measure of 5/4, program a13-beatPattern and a5-beatPattern.

2.7 PAGE 7: ADD/REMOVE BEATS FROM PATTERN BEGINNING ( START)

This option either adds beats to, or subtracts beats from, the beginning of the Pattern. The Pattern length can be set prior to, or after, recording. Shortening a Pattern's start point erases any drum events that fall outside the remaining part of the Pattern; lengthening a Pattern's start point adds silence at the beginning of a Pattern.

PATTER

008 BEAT A

The display says ### BEAT andSTART. This indicates a Pattern's length in beats (quarter notes). Enter the desired length with the INC/DEC or number buttons (this must be a three digit number; enter leading zeroes if necessary). A smaller value compared to the original length will remove the difference, in beats, from the beginning of the Pattern. A larger value will add the difference, in beats, to the beginning of the Pattern.

Background An example will help clarify how beats are added to or removed from the beginning. Assume an original length of 008 beats. Changing START to 007 will delete 1 beat from the Pattern beginning. Therefore, what had been beats002-008will now be beats001-007.Because a beat was removed, the Pattern will be 7 beats long.

Changing START to 009 will add a beat to the beginning of the Pattern. What had been beats 001-008will now be beats002-009.Because a beat was added to the beginning, the Pattern will be 9 beats long and the beat added at the beginning will be silent.

2.8 PAGE 8: OFFSET A PATTERN OR DRUM PART

Offset shifts a Pattern or individual drum parts ahead of or behind the beat in 1/384th note increments to allow for altering the 'feel' of a piece. This only affectsalready-recordedparts.

1. TheSR-16should be in Pattern mode and stopped. The display saysOFFSET, which will be00/384 (no offset).

2. Press the pad to be offset (as confirmed by the display). If you don't select a pad, offset affects the entire Pattern.

3. Enter thetwo-digitoffset value with the INC/DEC or number buttons. Positive numbers shift events ahead of the beat (lead), negative numbers shift events behind the beat (lag).

The default is positive numbers; to enter a negative number with the number buttons, press DEC first. Example: To offset a part 1/16th note later, enter-24as the offset value since 24sub-beatsequals a 1/16th note.

Press PLAY to enter this number into the SR-16.To apply the same amount of offset to additional pads, press the next pad then press PLAY.

Notes: The display counter resets after you exit the function. Therefore, it does not keep track of the total amount of offset, but only changes in offset.

Drums offset to before the first beat 'wrap around' to the end of the Pattern; drums offset past the end of the last beat 'wrap around' to the beginning of the Pattern.

2.9 PAGE 9: STEP MODE RECORDING (STEP MODE)

The display shows STEP MODE? This is your 'gateway' to step editing, which provides detailed Pattern editing and recording. To enter the step editor, press PLAY.

The display now shows the beat and sub-beat.If a drum event exists on thisbeat/sub-beat,the display will also show the drum pad that played the event and the event volume. If more

than one drum event occurs on the same sub-beat,the PAGE UP/DOWN buttons step forward or backward respectively through each drum one at a time.

If no drum event exists on this beat/sub-beat,the display will show no pad number, andEMPTY in place of volume data.

To navigate through the steps at the current quantization rate, use the PAGE UP button to move forward or PAGE DOWN to move backward. If a drum exists between those beats that fall on the current quantization value, the drum will sound as you go past it, but the display will not stop on that drum.

If swing is on, step mode will step in 'swinged' increments (see section 2.2).

Background Step mode provides detailed Pattern editing. (Note that 'step' does not refer to Song steps, but to the steps in a Pattern that hold drum events.) You can move through a Pattern one step at a time, stop at each event as desired, and delete the event, add an event, or change an event's volume. While occasionally somewhat tedious, Step Edit mode allows editing drum parts to your exact specifications.

Each step (also called a sub-beat)is 1/96th of a beat in duration, so at maximum resolution it takes 96 steps to 'move through' a quarter note. To save time, you can step through the Pattern at various note values, as set by the quantization value (which is why it's preferable to select the quantization rate at which the Pattern was recorded).Example: A 16th note consists of 24sub-beats,so setting the quantization value to 1/16 lets you step through the Pattern 24sub-beatsat a time. The following chart relates the number ofsub-beatsto note/quantization values.

3

3

3

3

CHAPTER 1: INTRODUCTION

1.1 WELCOME TO THESR-16DRUM MACHINE!

1.1A If You Just Can't Wait…

Turn to section 1.4, 10 Steps to Instant Gratification, and start making sounds. Some of the terms in that section may not make sense, but just follow the instructions, and get ready to hear some great grooves and have a good time. When you're ready to learn more, return to the beginning to learnSR-16basics.

The goal of the SR-16'sdesign team has been to create a musical instrument, not a computer that happens to make sounds. They thank you for your confidence in this product, and hope that you find theSR-16a rewarding tool forself-expressionthat stimulates your creativity (and tickles your fancy).

1.1B SR-16Quick Description

The SR-16includes over 230high-fidelitydrum/percussion sounds, and is easy to operate. As you tap the 12 drum pads (each of which can be assigned to any of the available sounds), theSR-16'son-boardcomputer records exactly when you triggered the drum sound and the dynamics of your playing. You can play back the part, and edit it in various ways.

Data is retained in memory even if the power is turned off. If the memory fills up with drum Patterns and Songs, this data can be saved permanently to standard cassettes, or to MIDI System Exclusive storage devices.

The SR-16also includes a library of preset rhythm Patterns prepared by professional drummers for those who want to start creating Songs in the fastest and easiest way possible.

1 . 1C About this Manual

The manual takes you through every function of the SR-16in the following order:

1.Introduction: Gives the basic ground rules and also covers how to play back drum parts.

2.Record Setup: Tells how to set up theSR-16to record and edit drum parts.

3.Playing Back and Recording Drum Patterns: Put theory into practice and come up with some drum parts. Includes material on copying and erasing.

4.Creating and Modifying Drum Sets: TheSR-16includes 50 Preset 'drum sets' with particular choices of sounds, tuning, panning, level, etc. However, you can also create and modify your own. Each Pattern can have its own associated Drum Set .

5. Song mode: Now that you have a bunch of Patterns, string them together into Songs.

6. MIDI Setup: Here's how to use theSR-16as part of a MIDI system.

7.Backup: Now that you've come up with some great Songs and rhythm Patterns, it's time to save them to a cassette recorder or MIDI system exclusive storage device.

8. Applications: This additional information will help you get the most out of theSR-16.

9. MIDI Supplement: This brief,entry-levelexplanation of MIDI explains the basic theory behind the MIDI protocol.

Feel free to cover topics in a different order. For example, if creating a whacked-outDrum Set is important to you, read the Drum Set section before you start recording. If you come up with a great tune, skip ahead to the Backup section so that you don't accidentally erase the tune or otherwise lose it. If you only want to use theSR-16as a MIDI expander module, then the MIDI Setup section might be a priority.

Experts as well as beginners should read the following 'ground rules' (definitions, concepts, and how to communicate with the SR-16)very carefully. TheSR-16is easy to use, but only if you read and understand these basic principles.

Certain subjects, such as quantization and output assignments, will be familiar to experienced drum machine users but new concepts to others. As a result, some sections contain background material tailored specifically for beginners. These sections are identified as 'background' and set in a smaller type size.

1 . 1 D Return Your Warranty Card Now!

Your warranty will be in effect and you will receive product update information only if you send in your warranty card. See the back page of the manual for full warranty information.

1.2 GROUND RULES

The SR-16drum machine consists of two main elements:

•The drum sounds themselves, recorded using16-bitresolution (the same resolution as CDs). For additional realism, many sounds use advanced 'dynamic articulation' techniques so that these sounds, when hit loudly, have a different timbre than when they're hit softly.

•An internal computer to control and trigger the sounds. This computer simulates an advanced, easily editable tape recorder.

The SR-16offers two main modes,Perform (for playback) andCompose (for recording). You can switch between these while theSR-16is playing, making it easy to test out different sounds without recording them and then drop back into record mode.

1.2A The Pattern/Song Recording Method

When recording with a drum machine, it's often easier to divide a song into shorter individual Patterns and work on these rather than record an entire song. A typical Pattern might be 8,16, or 32 beats long, and correspond to a verse, chorus, bridge, instrumental, intro, etc. While recording these Patterns, theSR-16will be inPattern mode. TheSR-16holds 50 Preset(i.e., can't be edited) Patterns and 50user-programmablePatterns, each of which can be from 1 to 128 beats long.

After perfecting these Patterns, Song mode offers two ways to create a song:

•Program a list of Patterns, in the order in which they are to be played.

•Select Patterns in real time, and the SR-16will remember your performance.

The SR-16stores up to 100User-programmableSongs.

Breaking a song into Patterns saves time since elements of a song often repeat. Example: The second verse might have the same drum pattern as the first verse. Rather than record the same Pattern twice, simply record one Pattern, then list it twice when assembling a Song. This also saves memory (thus leaving room for more Patterns and Songs) since listing a Song step takes up much less memory than recording a Pattern.

1.2B The Four Different Types of Patterns

The SR-16introduces exciting new Song construction techniques. TheSR-16excels at liveperformance—somethingusually not associated with drum machines. The key to using these advanced features is understanding the different types of available Patterns.

•Preset Patterns provide a variety of rock, jazz, pop, and other rhythms programmed by professional drummers.

•User Patterns are Patterns you can program, edit, and save. The Preset/User button selects between these two master banks of Presets. The only way to modify a Preset Pattern is to copy it to a User Pattern, where it can be edited.

There are 50 of each type of Pattern, numbered 00-49.However, each numbered Pattern actually contains four different'sub-Patterns':

•A pair of independent Main Patterns (A and B, selected by their respective buttons).

•A pair of associated Fill Patterns (A Fill and B Fill, selected by pressing the FILL button when either A or B is selected). The Fills primarily provide transitional Patterns between Main Patterns, which makes for more realistic drum parts. The associated Fill Patterns share the same length, Drum Set, and name as their Main Patterns(e.g., if A is 16 beats, A Fill is 16 beats). Otherwise, they are independent.

The reason for pairing the two different A and B Patterns together is simply so that you can switch back and forth between them rapidly in live performance or while improvising. However, A and B Patterns can be treated as completely independent Patterns if desired and can have different lengths, Drum Sets, etc.

Always think of the Main Pattern and its associated Fill as a unit. For example, if you copy a Main Pattern to another Main Pattern, its Fill will travel along with it.

Note that even though there are 'only' 50 Patterns, the A and B variations double that to 100 Patterns, and the Fills double that again to 200 Patterns. Added to the Preset Patterns, 400 total Patterns are available.

1 . 2 C How 'Looping' Simplifies Recording

To simplify recording in Compose mode, a Pattern will 'loop' over and over again. Example: Suppose you want to record an8-beatpattern. While recording, the pattern will record through all 8 beats, then immediately jump back to the beginning and continue recording through all 8 beats again. TheSR-16will remain in record mode, and continue to loop, until you press STOP or switch over to Perform mode. You will hear anypreviously-playedparts as you record new parts.

You can also erase drum hits while the pattern is looping to correct for errors.

1 . 2 D What's a Voice?

Each of the 12 large pads triggers a voice. A voice is asound-generatingelement with several variable parameters: Drum sound, tuning, volume, output assignment (the voice's audio output can go to either one of two sets of stereo outputs, and furthermore, to anywhere within the stereo field of the chosen set of outputs), and MIDI note number.

Each pad is velocity-sensitive:the harder you hit the pad, the louder the drum sound assigned to the pad will play. Thanks to the dynamic articulation techniques mentioned earlier, the timbre will often change as well, just like 'real' drums.

There are eight levels of pad volume resolution, from soft to loud. However, when using the SR-16as a drum sound expander and triggering sounds via MIDI, they respond to all 127 MIDI volume levels.

1.2E About Defaults

A default is a setting that is automatically assumed until you purposely change it. Example: When you turn on a VCR, it automatically defaults toStop—youhave to purposely tell the machine to go into Record or Play. Stop is therefore the VCR'spower-updefault status.

The SR-16includes a default setup that assigns particular drum sounds to particular voices

(pads), at certain level and pan settings. The default drum sound assignments are printed in white on the pads. However, you can change these defaults and come up with any type of 'drum set' you'd like.

Defaults save time by giving you a setup that's instantly ready to go; sometimes you'll need to change only a few parameters to customize the default setup to your liking.

Often the default is 'whatever was selected last.' Example: If theSR-16was in Pattern mode and Pattern 23 was selected when you turned off theSR-16,the next time theSR-16powers up it will be in Pattern mode with Pattern 23 selected.

1.2F Physical Layout

The SR-16includes seven main types of controls, along with a group of connectors (located on the back panel). The control groups (see diagram) are:

•Pads (play buttons). Tapping each button triggers anSR-16voice.

•Function buttons. These six buttons select various functions, some of which include multiple 'pages' of options.

•Tempo/Page buttons. These alter the tempo and also select different 'pages' present in the Drum Set, Record Setup, MIDI Setup, and Backup functions.

•Pattern select buttons. These choose between the A, B, and Fill variations for a Pattern.

Alesis Sr 16 Owner's Manual

•Mode buttons. These choose between Pattern and Song modes, Perform (playback) and Compose (record) modes, and the Preset and User patterns.

•'Tape recorder' buttons. These control playback and stop, and work similarly to a tape recorder.

•Display and data entry buttons. The display informs you of the instrument's status, and also prompts you for data from time to time. A detailed description of the display follows shortly. The data entry buttons include number entry buttons(0-9)and up arrow (increment, or INC) and down arrow (decrement, or DEC). The latter increase or decrease parameter values on step at a time.

•Huge volume knob. If you're used to scratching a turntable, you'll love the feel of this knob. It regulates the volume of the entire unit.

Mode buttons

Display

VOLUM

Data entry buttons

'Tape

recorder'buttons

Pattern select buttons

Pads (play buttons

Alesis Sr 16 Sounds

1.2G Display Layout

The LCD is divided into several 'windows.' Each window contains information that helps you monitor the SR-16'sstatus, and/or indicates what type of data should be entered.

•Name, 'dialog' box, real time Song/Pattern readout, beat counter. This is the most commonly-used area of the display. It shows Pattern and Song names, the beat counter if a Pattern or Song is playing, and the Pattern (including A/B/Fill/Preset or User designators) that is currently playing in Song mode. When acting as a 'dialog box,' it lists parameters and the value to be edited (e.g.,MIDI channel and the channel number).

•Pattern/Song readout (also Drum Set edit and drum pad readout). This shows the selected Song or Pattern number; with Patterns, the A/B/Fill/Preset or User designators are also shown. If you have edited a Drum Set to which a particular Pattern was assigned, the display also shows DRUMSET EDITED. In operations that require selecting a drum pad, this window displays the drum pad number.

•Press PLAY. For some operations, it is necessary to press the PLAY button to confirm a particular operation, such as copy or erase. This portion of the display will sayPRESS PLAY if it is necessary to press PLAY to complete an operation.

•Page number and tempo display. When stopped or running, this shows the current tempo and includes a visual metronome block that flashes on the beat. For functions that have multiple 'pages' of parameters (Drum Set, Record Setup, MIDI Setup, and Backup), this portion of the display shows the currently selected page number.

•Compose/Perform. This indicates whether theSR-16is in Compose or Perform mode.

•Click. In Compose mode, shows the current click rhythm in standard music notation (orOFF if click is off).

•Quantize. In Compose mode, shows the current quantization rhythm in standard music notation (orOFF if quantization is off).

Alesis Sr 16 Manuals

•Selected function. This shows which function is currently selected: Drum Set, Record Setup, MIDI Setup, Backup, or Step Edit.

•Swing. In Compose mode, shows the current swing rhythm, expressed as a percentage (orOFF if swing is off).

•Play/Record. If theSR-16is playing and in Compose mode, this will sayRECORDING. If theSR-16is playing and in Perform mode, this will sayPLAYING.

1 . 2 H Text Protocols

Throughout the text, button names are shown in UPPER CASE and words that appear on the display are shown in BOLD. When referring to a numbered step in a set of steps, the step